Wedding entrance dance to top all wedding entrance dances

T-Mobile’s Royal Wedding Dance celebrates the marriage of William and Kate with the help of a host of royal look alikes and music from East 17! T-Mobile wishes William and Kate a long and happy marriage.

>Rosie Vela

>Today I got curious about the female singer who is singing with Jeff Lynne in ELO. It turned out to be quite  a story. Roseanne “Rosie” Vela, born in the coastal city of Galveston, Texas,  stayed with her boyfriend Jimmy Roberts, and married him in the hospital before he died of cancer. He sang her a song he wrote on the last night before he slipped into a coma and died. One story says he died in her arms.

Following that tragedy, she landed a modeling job and appeared on the cover of Vogue 14 times before she decided to focus on her music (and a bit of acting).

Her story gives the lyrics to the ELO song “Turn to Stone” (released October 1977)  new meaning.

“Through all I sit here and I wait I TURN TO STONE I TURN TO STONE
You will return again some day TO MY BLUE WORLD”

I had no idea that one of my favorite bands of all times included a red-headed supermodel with heart of gold.

In my band Xenophilia, I had many fun years performing with the super hot and talented Amy Anne, who I’m sure could have been a model if she was so inclined. I believe I took this photo of Amy Anne myself.  I think she’d give Rosie a run for her money, so to speak.  😉

Getting an early start on my 2012 New Year’s Resolutions: After I finish writing and recording my 100 original songs in 2011 — I resolve to find my supermodel musician girlfriend, get a fantastic band together, book a bunch of shows, entertain people and enjoy many years of fun!

I like what Rosie said about playing music until you are 100 years old. Yes, I’d like that.

Who can say how long any of us have, really, but I believe in this dream. It feels like what I am supposed to do.  Do you know the feeling?

This is why I’ve never married.  I’m in love with someone I haven’t met yet. I saw her once in a dream. She was at a party on some steps, wearing an over-sized white men’s dress shirt.  I’ll know her when I see her, or when I hear her sing.

The tragedy–and the comedy–is that I’m one of the most stubborn and idealistic people you’ll ever meet and if I can’t have what I envision, I will just wait and wait. I’ll search forever, passing up so many good things. I already have. Wish me luck.

>Brazilian scientists investigate Beethoven’s cancer-fighting properties

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Research underway at the Instituto de Biofísica Carlos Chagas Filho, of the Federal University of Rio de Janeiro, Brazil, is investigating whether music might be able to fight cancer.

Dr. Márcia Alves Marques Capella and colleagues performed a series of tests in 2010, exposing dish-cultures of both healthy and cancerous cells to audio playbacks of various music genres. In repeated tests, Dr. Capella found that recordings of Beethoven’s Symphony No. 5 in C minor destroyed around 20% of cancerous cells within a few days – yet the healthy cells were unharmed. A similar result was obtained with ‘Atmosphères’ composed by György Ligeti in 1961. But, curiously perhaps, no measurable changes in cell growth were found for Mozart’s Sonata for Two Pianos in D major. Possible mechanisms which might have produced the results are as yet entirely unknown – though it’s speculated that they could be related to the rhythm, frequency or intensity of the music. The team plans further tests beginning in April 2011 …

via Brazilian scientists investigate Beethoven’s cancer-fighting properties.

I wondered about this ten years ago in my article about Raymond Royal Rife’s supposed cancer cure:

Does our Western Musical Scale Encode Lost Healing Arts?

What if … the major scale was picked by the ancients because they knew the curative powers of certain frequencies in that scale? What if we have drifted off of the correct frequencies in all of these years? Look at the musical scale above, compare it to the frequencies that Rife claimed would vibrate cancer germs to death, and decide for yourself. Can these audio frequencies open some sort of secret door?

Here it is… in the right key…  Some versions on youtube are wrongly pitch shifted so they are no longer in C minor.) I haven’t checked it with a tuner,  but this one just feels right and the person who uploaded it says … ” the video was wrong pichted because of it’s age or what ever when it was downloaded on youtube.I just re-pitched the sound track into the true C minor!”

Beethoven symphony 5 in the real tune : C minor

Ah, but there is one lingering question… did Dr. Capella use the true C minor or the C# minor recording to kill the cancer? Hmmm…

Well, the true C just feels right.  Here’s the other composition that worked:

>Hello? … it’s Alan calling, Alan from Earth….

>

Yeah, Hello? Uh, if you’re there pick up, okay listen it’s Alan calling, Alan from Earth. You probably don’t remember, it’s over in the western spiral of the Milky Way although obviously you might have named it after a completely different brand of chocolate. Basically just find the Oort Cloud and ask for directions from there. Anyway just calling to catch up. We’re doing alright with the carbon base lifeform thing. Kids are diversifying nicely, going through a bit of a fad for spines and brains at the minute but it’s probably the same where you are. Well, that’s about it really, we just hadn’t heard from you in a while, like when we killed Michael Rennie or Klaatu, as you knew him in The Day The Earth Stood Still. So if you received this, get in touch, but actually thinking about it, don’t bother calling after about, what, 2150, because I’m not expecting anyone to be in. Oh and I’m sending this song along it’s called God Song by Robert Wyatt. I hope you like it. And that you don’t communicate through perfume or minor variatrions in your sense of balance or something. Okay, you take care and I’ll talk to you soon. Love you, Bye.

via The Daily Grail

Lyrics to the God Song. Great stuff!

God Song (Wyatt, Miller)

What on earth are you doing God? is this some sort of joke you’re playing?
Is it ’cause we didn’t pray?
Well I can’t see the point of the words without the action
Are you just hot air breathing over us? and overall
is it fun watching us all?
Where’s your son? we want him again
Next time you send your boy down here
Give him a wife and a sexy daughter – someone we can understand
Who’s got some ideas we use really relate to
we’ve all read your rules – tried them. Learned them in school then tried them
They’re impossible rules you’ve made us look fools
Well done God but now please
don’t hunt me down for heaven’s sake! You know that I’m only joking. Aren’t I?
Pardon me – I’m very drunk but I know what I’m trying to say
And It’s nearly night time and we’re still alone waiting
For something unknown Still waiting
So throw down a stone or something
Give us a sign for Christ’s sake

>Astro-Lung: Jethro Tull’s Ian Anderson to Duet With Astronaut on International Space Station

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Jethro Tull lead singer and flutist Ian Anderson has made some out-of-this-world music, but his upcoming collaboration could be his spaciest concert yet.

That’s because part of it will be from space itself: The International Space Station, to be specific.

On April 12, Anderson will be taking part in a duet with U.S. astronaut Col. Catherine Coleman, also a flutist, to celebrate the 50th anniversary of Russian astronaut Yuri Gagarin’s first manned space flight in 1961.

Here’s the catch: Anderson will be performing on stage in Perm, Russia, while Coleman orbits 250 miles above Earth. Her performance will be screened by video link to the audience.The duo will perform “Bouree,” an instrumental reworking of the Johann Sebastian Bach composition “Bouree in E Minor,” which originally appeared on Jethro Tull’s 1969 album “Stand Up.”

Although Coleman has been aboard the space station since December, the gig has been in the works for months. In fact, Anderson helped her get ready by giving her one of his flutes to take on the journey. …

via Astro-Lung: Jethro Tull’s Ian Anderson to Duet With Astronaut on International Space Station.

>Bob Dylan, not a folksinger, not a counterculture Czar

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… He sang his censored set, took his pile of Communist cash and left.

“The Times They Are Not a-Changin’,” noted The Financial Times under a picture of the grizzled 69-year-old on stage in a Panama hat.

“Imagine if the Tea Party in Idaho said to him, ‘You’re not allowed to play whatever,’ you’d get a very different response,” said an outraged Sophie Richardson of Human Rights Watch.

A 22-year-old Dylan did walk off “The Ed Sullivan Show” when CBS censors told him he couldn’t sing “Talkin’ John Birch Paranoid Blues.”

But he’s the first to admit he cashes in.

David Hajdu, the New Republic music critic, says the singer has always shown a tension between “not wanting to be a leader and wanting to be a celebrity.”

In Hajdu’s book, “Positively 4th Street,” Dylan is quoted saying that critics who charged that he’d sold out to rock ’n’ roll had it backward.

“I never saw myself as a folksinger,” he said. “They called me that if they wanted to. I didn’t care. I latched on, when I got to New York City, because I saw (what) a huge audience there was. I knew I wasn’t going to stay there. I knew it wasn’t my thing. … I became interested in folk music because I had to make it somehow.”

“Folk music,” he concluded, “is a bunch of fat people.”

He can’t really betray the spirit of the ’60s because he never had it. In his memoir, “Chronicles,” he stressed that he had no interest in being an anti-establishment Pied Piper and that all the “cultural mumbo jumbo” imprisoned his soul and made him nauseated.

“I had very little in common with and knew even less about a generation that I was supposed to be the voice of,” he said.

He wrote that he wanted to have a house with a white picket fence and pink roses in back, live in East Hampton with his wife and pack of kids, eat Cheerios and go to the Rainbow Room and see Frank Sinatra Jr. perform.

“Whatever the counterculture was, I’d seen enough of it,” he wrote. He complained of being “anointed as the Big Bubba of Rebellion, High Priest of Protest, the Czar of Dissent.”

Performing his message songs came to feel “like carrying a package of heavy rotting meat,” he wrote.

Hajdu told me that Dylan has distanced himself from his protest songs because “he’s probably aware of the kind of careerism that’s apparent in that work.” Dylan employed propaganda to get successful but knows those songs are “too rigidly polemical” to be his best work.

“Maybe the Chinese bureaucrats are better music critics than we give them credit for,” Hajdu said, adding that Dylan was now “an old-school touring pro” like Frank Sinatra Sr. …

via Blowin’ in the Idiot Wind – NYTimes.com.

>Parallel Worlds, Parallel Lives – Part I

>

>How to rob me of $10 right now!

>I just discovered that you can download my entire CD — Xenophilia, Cafe of Love, from 2001 — free on your iPhone.

Go to the App store and get the free app called “MOG“.

Use the free 7 day trial then search for “Xenophilia” and tap the arrows to download all my songs to your iPhone.

Listen for free for a week, then you have to pay to keep listening.

I do not believe that I get a cent from people using the free version of this app to listen to my music.

I also do not think I get paid when people are paying $10/month to keep using the app after the trial.

Do not buy my CD on my web site, because you can get the whole thing, the Cafe of Love, at a price all iPhone users will love: FREE.

If nothing else, check out my song “Crop Circles”, still one of my favorite weird songs.

Similar Artists feature

Hey neat, there is a feature to find similar artists on the MOG radio. The similar artist software found: “Wild Pack of Family Dogs” by Modest Mouse. Hmm. Nah. I like my stuff better.

But wait, “Big Dipper” by Built to Spill is great. And I really like “Cha Cha Cha” by The Little One’s. Oh, and I love “Last Song” by Matt Pond, beautiful!

Okay, this is a freakin’ cool app.

But it ain’t right.

Related:

A website that sold Beatles songs online for 25 cents apiece before they became legally available has agreed to pay record companies nearly $1 million to settle a federal lawsuit.U.S. District Judge Josephine Staton Tucker signed off on the settlement between BlueBeat.com and music companies EMI Group PLC, Capitol Records and Virgin Records America on Friday. The judge ruled in December that the site violated the music labels’ copyrights and presented unfair competition.

A trial to determine how much BlueBeat owed the companies was scheduled to begin Tuesday in Santa Ana, Calif.

BlueBeat streamed and sold music by the Fab Four and other top-name acts, including Coldplay and Lily Allen, for several days before music companies sued to shut it down in November 2009. By then, the site had already distributed more than 67,000 songs by The Beatles. – cnbc

Oh wow, I found a song I sang on with Anton Barbeau. I think that’s me singing on “Please Sir I’ve Got A Wooden Leg” … and at least one other song on Anton’s “A Splendid Tray”.

Ha, oh yeah, check out “a Robot Tells Jokes” by Doug Powell. Reminds me of good times with the comedy show.

I’m falling asleep to Bill Ives version of the Beatles song Michelle. Nicely done vocal jazz.

Then Nora Jones’ “Don’t Know Why” pops up and I re-live Maui and the time I almost got married. And I see clearly for a heartbeat or two that I’m a fool hiding from the sick and wicked world, and missing, in my suit of armor, the ability to touch my dream … I drift asleep… and the iPhone I’m writing this on slips from my fingers and floats to the floor in slow motion.

>Johannes Heesters, world’s oldest active performing singer at 107

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Johan Marius Nicolaas “Johannes” Heesters (born 5 December 1903) is a Dutch actor, singer and entertainer with a 90-year career, almost exclusively in the German-speaking world. In Germany and Austria, Heesters is mainly known for his acting career. As of 2011, aged 107, Heesters is the oldest performer worldwide who is still active, both on the stage and on television.

YouTube – Johannes Heesters – 107. Geburtstag.

Still singing at 107… and smoking. Hmm.

>Universal property of music discovered

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Researchers at the Institute for Logic, Language and Computation (ILLC) of the University of Amsterdam have discovered a universal property of musical scales. Until now it was assumed that the only thing scales throughout the world have in common is the octave.

The many hundreds of scales, however, seem to possess a deeper commonality: if their tones are compared in a two- or three-dimensional way by means of a coordinate system, they form convex or star-convex structures. Convex structures are patterns without indentations or holes, such as a circle, square or oval.

Almost all music in the world is based on an underlying scale from which compositions are built. In Western music, the major scale (do-re-mi-fa-sol-la-ti-do) is the best known scale. However, there are many other scales in use, such as the minor and the chromatic scale. Besides these ‘traditional’ scales there are also artificial scales created by modern composers. At a superficial level, scales consist of an ascending or descending sequence of tones where the initial and final tones are separated by an octave, which means the frequency of the final tone is twice that of the initial tone (the fundamental).

By placing scales in a coordinate system (an ‘Euler lattice’) they can be studied as multidimensional objects. Dr. Aline Honingh and Prof. Rens Bod from the ILLC did this for nearly 1,000 scales from all over the world, from Japan to Indonesia and from China to Greece. To their surprise, they discovered that all traditional scales produced star-convex patterns. This was also the case with almost 97% of non-traditional, scales conceived by contemporary composers, even though contemporary composers often state they have designed unconventional scales. This percentage is very high, because the probability that a random series of notes will produce a star-convex pattern is very small.

via Universal property of music discovered.